window.dotcom = window.dotcom || { cmd: [] }; window.dotcom.ads = window.dotcom.ads || { resolves: {enabled: [], getAdTag: []}, enabled: () => new Promise(r => window.dotcom.ads.resolves.enabled.push(r)), getAdTag: () => new Promise(r => window.dotcom.ads.resolves.getAdTag.push(r)) }; setTimeout(() => { if(window.dotcom.ads.resolves){ window.dotcom.ads.resolves.enabled.forEach(r => r(false)); window.dotcom.ads.resolves.getAdTag.forEach(r => r("")); window.dotcom.ads.enabled = () => new Promise(r => r(false)); window.dotcom.ads.getAdTag = () => new Promise(r => r("")); console.error("NGAS load timeout"); } }, 5000)

The Handmaiden: A sexy revenge thriller from Korea

Chat from Cannes

The BBC Culture team discuss two films in competition at the Cannes Film Festival that deal with forbidden love – Park Chan-wook’s The Handmaiden and Jeff Nichols’ Loving.

Park Chan-wook’s The Handmaiden is a glossy revenge thriller that adapts Sarah Walters’ novel Fingersmith, moving the action to Korea in the 1930s. It features some shocking violence, graphic lesbian sex – and a giant octopus.

In total contrast is Jeff Nichols’ new film Loving: a quiet, understated film about a real-life couple in the 1950s who fought to have the law against interracial marriage in the US overturned. It has been praised for its subtlety and restraint – but does it hold back too much?

Tom Brook discusses these films with BBC Culture film critic Nicholas Barber and writer and broadcaster, Agnès Poirier.

If you would like to comment on this story or anything else you have seen on BBC Culture, head over to our Facebook page or message us on Twitter.

And if you liked this story, sign up for the weekly bbc.com features newsletter, called “If You Only Read 6 Things This Week”. A handpicked selection of stories from BBC Future, Earth, Culture, Capital, Travel and Autos, delivered to your inbox every Friday.