So, how do you write a “bad” character in fiction? According to Richards, “The most subversive thing you can do with a bad character is you make them funny”.
BBC
“The most subversive thing you can do with a bad character is you make them funny”
Ben Richards
Humour, in his view, doesn’t excuse a character’s actions but forces the audience to engage with them in a way that’s more intimate and unsettling. Justin, the police officer accused of committing a crime, is a character whose dark wit and charm make us uncomfortable because we’re drawn to him.
Throughout, Justin’s microfacial expressions; a slight raise of the eyebrow, a questioning glance, a smile that echoes a frown. All make us wonder whether he believes the things he says. Rather than being a character we love to hate. He makes us hate to love him.
His manner raises a bigger question in us. How certain are any of us in our moral views? Are you sure that your view of specific climate activists is the right one? Could anything sway your mind? If your mind did change, what would that say about you?
Richards pointed out that classic antiheroes, like Satan in Paradise Lost, captivate us not despite their moral failings, but because their charisma and complexity make us see something of ourselves in them.
His character’s moral ambiguity leaves us unsure where our sympathies should lie. For the police offer on trial in this series, Justin, he asks “Does he need to be bad in order to deserve punishment?”.